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Dangerous dispatches
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09 November, 2009, 20:28 A Cold War kid comes to the Kremlin Part II
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The 1970s.
It’s the age of Nixon and Brezhnev. A time wracked by controversy over political powder-kegs like Vietnam, Soviet-backed Cuba, Red China, the Iron Curtin, and more. In America, the lines at the gas pumps are growing and so is inflation. Disco replaces rock, polyester leisure suits replace fashion, Roger Moore replaces Sean Connery as 007 and “mutually assured destruction” becomes a way of life.

Like the rest of the world, Moscovites are cautious against H1N1 (Photo by Vincent Zandri) |
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Heated political debate between the globe’s two super-powers rages on over who can build more nuclear warheads and the mobile systems in which to deliver them quickly and efficiently. The fight has become so cold, and yet heated, that on more than one occasion in the 70s alone, the USSR and the US will come within a hair’s breadth of blasting one another back to the Stone Age.
As a child, I’m taught to view the Soviet Union with great fear, if not paranoia. The Soviets, we’re told, have their finger on the nuclear trigger. So frighteningly real is the possibility of nuclear world war that “duck and cover” drills will be practiced at my grammar school up until the late 1970s.
What’s duck and cover, you ask?
It goes something like this: in the event of an imminent nuclear blast of some gigantic megaton proportions (say 1,000 times the Hiroshima blast), we neatly-uniformed Catholic school students are instructed to duck and cover our little prepubescent bodies beneath our school desks. By assuming a fetal position, knees pressed tight up against your chest, you are then in position to “kiss your ass goodbye.”

Live Classical music down under in the Metro (Photo by Vincent Zandri) |
I might be a stupid kid, but I know that my school desk isn’t about to save me from instant vaporization when the big “red” one drops on my head. Fact is, it isn’t unusual for me to go to bed at night fearing for my life. For me, the Cold War is a very personal war. And it makes me, like many Americans, convinced that our generation will be the last to live on a planet that sooner than later will be ravaged by a doomsday scenario of nuclear multiple blasts and radioactive fallout.
It isn’t until Gorbachev comes along in the mid-80s when the West, particularly Americans like myself, begin to breathe a significant sigh of relief. Unlike his more war-mongering predecessors “Gorby,” represents the warm ray of sunlight that will promise to thaw the Cold War once and for all. It’s his policy of Glasnost, and his cooperation with Western leaders (along with some badly-leaked Politburo info in East Germany), that will inevitably lead to the tearing down of the Berlin Wall, and the end to what we, as Americans, viewed as the Communist threat. In a word, the Cold War was kaput and along with it, the fear of being nuked in our sleep.
Yet even today, with the Cold War clearly fodder for history books, an air of paranoia and distrust still exists in the US. Especially among those who might have grown up in the ’40s, ‘50s and even ‘60s. When I revealed my plan to travel to Moscow, quite a few of my friends voiced their concern. Questions and comments were lobbed at me like Trident missiles:
“Aren’t you afraid of your safety?”
“Did you know that journalists disappear there all the time?”
“You gonna love the Gulag.”

Smart shoppers hustling from store to store (Photo by Vincent Zandri) |
I dismissed these warnings. Russia wasn’t a threat anymore and we weren’t a threat to Russia. Not really anyway. Thanks to the Internet, the Russian people have become my friends now. After all, I write for a Russian satellite news network. The great bear that once filled me with fear as a boy now signs my paychecks.
On the other hand, I wasn’t just your average tourist seeking out the Moscow equivalent of a Perillo tour. I was a freelance journalist. Knowing that journalists do, in fact, disappear in Russia and many other parts of the globe, I took a step back. Was I making the right decision traveling to the former Soviet Union on my own?
You betcha…
This is Dangerous Dispatches after all. Even if the Russian Federation has shed its hammer and sickle, I still harbored hopes that some of the old danger existed, some of the old mystery, some of the old James Bond intrigue. In a word, I wanted to feel like a spy.
Fast forward to my landing in Moscow on a cold and overcast Tuesday morning.
My driver greets me at the airport. He’s a thin, middle-aged man who smokes one cigarette off the other. When he pulls out of the airport access road onto the main highway leading into Moscow, I know I’m at his mercy. So far so good, I think. A chain smoking driver who speaks no English. A likely story if I ever heard one. I could already feel the hidden cameras focusing in on me while I listened for the latchless doors to lock automatically.
To my left, a sea of crooked and tortured looking birch trees that Russia is so famous for. Beyond them, snow-sprinkled fields. Cold, barren, inhospitable.
I’m loving it.

The old, the new and the future. Moscow architecture mixesseveral eras at once (Photo by Vincent Zandri) |
But then, appearing on my right, a gigantic yellow IKEA superstore, the Swedish furniture manufacturer so popular amongst the Manhattan crowd, obviously having made their mark in the land of Tsars. Not a half mile past the IKEA, a McDonalds, followed by a brand new glass and stainless steel VW dealership, a Volvo dealership, a freaking TGI Fridays, a Subway sandwich shop, and a giant billboard for Papa John’s pizza…Holy crap, so much for danger, mystery and intrigue. If I didn’t know any better, I’d say I was in Jersey.
Inside the city, I’m even more shocked to find that, nestled among the onion-shaped domes of the ancient churches and the combination Stalinesque and Soviet-era-style architecture is a modern megalopolis of polished glass and marble towers. Commercial construction is everywhere, as are major clothing and accessory chains like H&M, Channel, Yves St. Laurent, Gap and more. Suited men in alligator loafers, carrying leather briefcases scoot by, no doubt late for important business meetings. Beautiful, long-haired, leather booted women dressed in short skirts or tight jeans, shuffle from store to store, pausing only occasionally to talk on their cell phones or to drop into one of the city’s many cafes. On occasion, an H1N1 conscious person might walk by, a surgical mask covering his or her face. Down in the underground, a quartet of strings and woodwinds performs live classical music while back up on the street, one Land Rover after the other speeds passed.
Walking the sidewalks of this brightly illuminated city of some 11 million, I feel a wave of disappointment wash over my spine. Where are all the soldiers? Where are the tanks? The spies? Where’s the long, black-leather jacketed tough-guy who’s supposed to pull me off the street, shove me in the back of a black sedan and demand that I produce my “papers?”
Okay, I know the Iron Curtain was shredded some 20 years ago, and the Cold War has given over to warm and cozy relations between our great counties, but does Moscow have to remind so much of New York City?
As I sit down to a particularly appetizing Mexican meal of beef fajitas covered in home-made guacamole washed down with Corona beer and served by cowboy-hatted Moscovites (that’s right, authentic Tex-Mex deep in the heart Moscow), I decide that this Cold War Kid needs to search deeper for some danger. Moscow is the home of the Kremlin after all. It’s the political capital. This is Putin’s and Medvedev’s personal crib. The soldiers, the spies, the former home of the KGB (now the FGB), can’t be too far away from the commercial capitalism that has most assuredly destroyed anything even resembling the old hard line rule.
It’s just a matter of heading further into the heart of the red city; into its inner ring. In the morning, this 007 wannabe will try and sneak himself into the Kremlin.
Next Blog: I explore Red Square on what used to be one of the most important holidays of the old Soviet Era: Revolution Day.
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04 November, 2009, 23:17 The Cold War Kid Comes to the Kremlin/Part I
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Dangerous Destinations
That was a possible title for this blog back when I presented my proposal to RT upon my return from West Africa. But after a lot of thought, we changed it to Dangerous Dispatches because, let’s face it, I can’t be traveling all the time. Eventually one must go home for at least a few weeks. Any more time spent doing the same-old-same-old however, and I begin to feel the dreaded cabin fever setting in. I feel fat, lazy, dull, and irritable. What did the great American novelist Jim Harrison once say about the writer’s need to seek adventures? “When it feels as though you’re typing with 16-ounce gloves on, it’s time to get out of the house. Sometimes for weeks at a time.”
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I leave New York City behind for a journey to the other side of the world |
Which is why I’m in New York City’s JFK International Airport where I’m about to board a non-stop flight to Moscow, Russia. The purpose of this expedition? Like my Africa assignment, I wanted to explore an exotic locale shrouded in mystery . And for a child of the cold war, Moscow, and especially the walls of the Kremlin, represent just that--mystery, intrigue and danger.
Ever since I started writing for RT, I knew that sooner or later, I would have to go Russia. Lying in bed this morning, I took a quick inventory of the places I’ve been over the past decade or so: Canada, Mexico, the Bahamas, Italy, France, Spain, England, Greece, the Greek Islands, Turkey, China, Hong Kong, Japan, Africa, the United States, from L.A. to New York; from Bar Harbor to Key West. Russia would represent an exceptional challenge for exploration--something that, having grown up in the age of cold war paranoia, would have been unthinkable even two decades ago. After all, Russia was once the place where communism flourished; where the KGB had a spy on every street corner and where no one, least of all a journalist, could practice an inalienable right like freedom of speech or freedom of the press. Or so I’d been taught.
As I sit in the airport, eyeing the many strangers sitting silently and anxiously, I realize that even if I do write for RT, I know virtually nothing about Russia. I don’t know the language, or how to get around a bustling cosmopolitan city like Moscow. I don’t know what to eat. I don’t even know the exchange rate of rubles to dollars. In a word, I’m winging it.
Suddenly, an old Slovanic maxim comes to mind: “Leap before you look.” That’s precisely what I’m doing by making this journey alone.
I look at the travelers waiting alongside me inside International Gate 7 of JFK’s Delta Air. Some of them stare reflectively off into an imaginary space. Others laugh and joke with their friends. I can make out at least three different languages being spoken at once. There’s black, white, and Asian men and women of all ages, all huddled together for one thing and one thing only: Russia.
Beside me a white-bearded man drinks coffee. He looks out the floor-to ceiling plate glass window onto the tarmac at the big jets arriving and departing. He’s old enough to be my father. He’s also alone. I wonder if I am looking at my future. Will I still be making my way to dangerous destinations when I’m in my 70s? Will I be doing it alone?
People constantly ask me if I get lonely traveling by myself. Of course I do. But then, in a strange way, loneliness is part of the adventure. Being alone with yourself; discovering yourself; reflecting inwards in order to change your outlook. For me, travel isn’t exactly worth it if it isn’t at times lonely, uncomfortable, exhausting and of course dangerous. It also must be somewhat nerve-wracking. And what can be more nerve-wracking than anticipating a 10 hour flight to Moscow?
But the point-of-no-return has arrived now that boarding instructions are announced over the PA. A giant hush settles over the gate interior. The travelers stand, begin gathering their belongings. The big metal doors leading out onto the gangway slam open. I feel the usual pit lodge inside my stomach. More than likely that pit will remain there at least until we reach cruising altitude (it’s unusual for planes to simple fall out of the sky). What’s the old saying about international air travel? Half of those people who take to the air say they hate to fly. The other half just lie about it.
The final boarding call for my flight is announced. I get up, grab my bag.
I face the open door that leads out to the plane that will take me, a child of the cold war, across the ocean to the former USSR.
I walk.
I leap.
Next Blog: Vincent Zandri, live, up-close and personal, from the Kremlin.
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28 October, 2009, 01:45 Tattoo You: A Middle-Aged Suburbanite / Punk Rocker Gets Inked! / Part II
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Inside the tattoo parlor, pain is a welcome neurological reaction to what is being perceived in the brain as possible tissue and skin damage. Pain is validation. Proof positive that the threshold for a middle-aged man entering a new phase of his life has been crossed over. "Pulsing," "lingering,"
"stinging" pain is what Drew Blood feels as the ink saturates his pores and his life undergoes the traumatic process of rebirth.
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Here's what I've come to realize in the few short minutes since the suburbanite/punk rock bassist has gone "under the gun," so to speak: nowhere on earth, save some seedy S&M dungeon, is pain more welcome and revered; nowhere is inflicting pain the most fun you can have with your clothes on; nowhere is pain a more welcome bedfellow than it is inside Geoffrey's tattoo booth.
The booth is brightly lit. In the air is the sweet flowery scent of lavender. "That's the smell of tattooing," claims the artist. From what I'm told, the smell is derived from both alcohol and ink.
Drew occupies a swivel chair not unlike the type you find in a barber shop. To his left is a padded table more common to a physician's office. The table is for tattooing sensitive or difficult to reach places, like your bear glutes for instance, or your back.
Mounted to the wall in front of Drew Blood is a mirror. He seems to avoid looking directly into the mirror, as if the site of the rather menacing tattoo gun pressed up against his bicep like a mechanical needle and syringe from out of Sci Fi movie is enough to make him lose his lunch. And it is.
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To his right is a table filled with little translucent plastic dispensers filled with every ink color imaginable, from multiple shades of red all the away across the spectrum to numerous shades of black and brown. For Drew Blood's chosen design, which happens to be an Asian-inspired collage of flowers, vines and birds that will extend out from his upper arms to parts of his chest and back, artist Geoffrey goes with a dark shade of ink that makes a stunning, if not haunting, statement on Drew Blood's smooth opaque
skin.
When I ask the artist how he describes his work, he tells me that what he's doing is not applying ink to flesh. Instead he is like a writer or a painter creating "a silent narrative" that will speak for as long as his canvas has life in his or her veins. He's not an artist who's prone to forgetting his work once it's completed either. He recalls each and every tattoo he has ever created, despite the fact that he has been seeing customers now for 16 years. That's a lot of ink, a lot of skin, a lot of tattoo art underneath the life-bridge.
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From his seated perch up against a grimacing Drew Blood, the artist aims and stabs the exposed skin and flesh with the gun's needle-point nozzle. He depresses the trigger and the tell-tale mechanical vibration begins. While throbbing nerve endings send a signal to Drew Blood's brain, telling it to
release a biological cocktail of pain-countering endorphins and adrenalin, the presence of dark ink filling a Sharpie-on-skin-sketched outline lets Geoffrey know that all systems are working properly. So does the blood that bubbles and froths from the bass player's pores. Retracting the gun, Geoffrey wets a paper towel with a generous amount of water, wipes away the excess ink and blood from the skin. For Drew, the brief respite is like a sip of water to a man dying of thirst. For me, the writer/observer, it is an
opportunity to witness the creation taking shape; the swirling lines and expertly applied dashes coming together to create a flower.
"How's it look?" Drew Blood poses through gritted teeth and pale lips.
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I smile.
"Awesome," I assure him, snapping a photo. "How you holding up?"
He nods.
Geoffrey, taking notice of the weighted silence, asks Drew Blood if he'd rather have the tattoo applied in two separate shorter sessions, or would he prefer to keep on "toughing it out" by sitting for the entire marathon session.
Drew Blood is not one to pose macho. His motives for being inked run far deeper than that. Sensing that this is his one chance for being reborn via the tattoo parlor, he insists that the artist keep going. Besides, the pain is beginning to dull a bit. And the thought of having to muster up all that courage again is, in a word, unfathomable.
Taking his cue, Geoffrey repositions his client so that he's now facing the punk rocker's exposed latissimus dorsi. When he presses the gun against the top of Drew Blood's clavicle, I see the blood in the bassist's face drain out like water from a sieve.
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The artist explains that not much flesh separates shoulder from bone, so the pain can be intense.
"People like that pain," Drew exhales. "People live for this, don't they?"
I peer down at Geoffrey, at his inked arms, neck, and shoulders. I peer down at the top of his head. There's a small tattoo inked on the center of his skull cap. I can't imagine a more sensitive place to be tattooed than the top of one's skull. Scratch that, I can indeed imagine a more sensitive place, and knowing that people actually do get inked in that sensitive place is enough to make the floor beneath my feet feel as if it's shifting.
I snap a few more photos, observe more blood flowing from Drew Blood's back and shoulders. Not since my assignment in West Africa, when I observed an eyeball extraction aboard a hospital ship, have I felt more dizzy, but at the same time, energized.
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But I also realize it's time for me to take my leave. After all, for Drew Blood Blister, there're still hours to go before his tattoo is completed. Those minutes and hours will seem like days and years to him. But when his tattoo is completed, he will be a new man. His old life will be the stuff of memory, while his new memories will be etched into his brain in terms of the new ink that is permanently embedded in his skin.
How will Drew Blood handle having been tattooed? When he gets up from the chair and feels the floor shifting under his feet, will he silently applaud his decision to be inscribed with a stunning "silent narrative" of Asian flowers and patterns?
My guess is he won't look at anything the same way again. Drew Blood has been reborn. The ink on his arm, chest and back is his new birthmark.
Happy Birthday Drew Blood Blister.
Next DD: Next week, Vincent Zandri will come to you "live" from Moscow in "A Child of the Cold War Comes to the Kremlin."
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About author
Vincent is a freelance journalist and the author of the bestselling novel As Catch Can and the forthcoming Moonlight Falls. For more information visit his personal website.
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16 November, 2009, 10:15
To Vincent: and what you write in your blog is really interesting – thank you for it, and thank you for trying to project understanding of Russia. It would be fantastic indeed if the relationship between Russia and the West would one day come to be of a similar character as the relationship between, say, Britain and the US. So many advantages would flow to everyone from that kind of a dynamic.
You ask, is the Cold War really over? My view is that yes, it is, but not all the underlying attitudes that powered the Cold War have been set aside yet. Part of this has to do with American unawareness (I don’t like to use the word, “ignorance” or “presumptuousness” as these have a certain pejorative connotation), and part of this has to do with unrealistic and fearful Russian notions (I don’t like to use the word, “paranoia” for the same reason). As long as some of these powerful underlying orientations remain in place, the Cold War can revive. Your blog addresses Western misapprehensions; I would like to hope that there are also Russian language equivalents somewhere out there, addressing Russian misapprehensions, but I’m not in a position to know whether or not there are.
15 November, 2009, 17:27
FOR MARZIPAN
Sure, there's a little tongue and cheek going on here, but that's kind of the point. The perceptions of my youth were one or two dimensional, like a comic book version of Russia, or then, big bad USSR. That perception still exists in the minds of many Americans I know and will take years to shed, trust me on that one (perhaps you saw the most recent Indiana Jones movie when Harrison Ford barks, "I hate Russians" Pure stupidity but stupid people buy into that kind of thing). Thus my desire to write a blog with the trite title, The Cold War Kid...We were enemies for so long and now we're not (at least not really...) I guess what I'm getting at is this: Is the Cold War really over? Or is is just put on hold for a while? Is there evidence it still exists in Russia? Does the US resent a successful Russia and conversely does Russia inevitably want to see the US fail? Russia and the US balance the globe and I'm not sure we can do without one another inevitably. It's a new terrorist playground out there. Perhaps when I get back to the states, I ought to do a blog devoted to finding out if there's evidence in the US that the Cold War is still alive and kicking...
15 November, 2009, 00:07
Vincent tells us of his of his childhood in the USA of the 1970s and the perceptions of Russia that this gave him, and he contrasts these perceptions with his surprise at seeing what present-day Russia actually looks like. What he marvels at is the disconnect between his fragmentary and wrong beginning perceptions of the first instance, and his survey of a superficial Russian cityscape in the second instance.
However, there are no contradictions within reality itself, because reality is real. Someone who lived through the actual material poverty of the Marxist Soviet Union and through the personal fear and insecurity of a Marxist police state, through the disorientation of its collapse, through the chaos of the Yeltsin years and on into the steadily restored authoritarianism that Putin and Medvedev are stamping on today’s Russia would probably see no inconsistencies at all between then and now. The present is exactly what has grown out of what has been done in the past. It is pretty much what and how one would expect it to be, given the realities that have shaped it.
Just as Vincent apparently recognises that in the past he was given a vision of bygone Russia aspects of which were superficial at best and inaccurate at worst, he should be alert to the potential danger of now projecting a similarly impaired vision of contemporary Russia.
10 November, 2009, 00:01
As I read your blog, I am also readin the headlines at the right column..."Race to reset: Moscow and Washington rush to beat arms treaty deadline," I look forward to the next installment if that story and yours....
09 November, 2009, 21:26
This is great. So visual! Almost (not quite) like I'm there. I really, really hope you find what you're looking for. Maybe you need to venture out of the city, or down some side streets. You're bound to stumble into some trouble in an alley...
09 November, 2009, 21:12
I think I would have jumped out of the cab and walked to my destination! I couldn't handle all of that smoke. Looking forward to your next blog to find out what kind of trouble you caused at Red Square. I can only imagine!!!