Crime and Punishment:Book one, Chapters IV-V

CHAPTER IV

His mother's letter had been a torture to him, but as regards the chief fact in it, he had felt not one moment's hesitation, even whilst he was reading the letter. The essential question was settled, and irrevocably settled, in his mind: “Never such a marriage while I am alive and Mr. Luzhin be damned!” “The thing is perfectly clear,” he muttered to himself, with a malignant smile anticipating the triumph of his decision. “No, mother, no, Dounia, you won't deceive me! and then they apologise for not asking my advice and for taking the decision without me! I dare say! They imagine it is arranged now and can't be broken off; but we will see whether it can or not! A magnificent excuse: 'Pyotr Petrovitch is such a busy man that even his wedding has to be in post-haste, almost by express.' No, Dounia, I see it all and I know what you want to say to me; and I know too what you were thinking about, when you walked up and down all night, and what your prayers were like before the Holy Mother of Kazan who stands in mother's bedroom. Bitter is the ascent to Golgotha…. Hm… so it is finally settled; you have determined to marry a sensible business man, Avdotya Romanovna, one who has a fortune (has already made his fortune, that is so much more solid and impressive) a man who holds two government posts and who shares the ideas of our most rising generation, as mother writes, and who seems to be kind, as Dounia herself observes. That seems beats everything! And that very Dounia for that very 'seems' is marrying him! Splendid! splendid!

«… But I should like to know why mother has written to me about 'our most rising generation'? Simply as a descriptive touch, or with the idea of prepossessing me in favour of Mr. Luzhin? Oh, the cunning of them! I should like to know one thing more: how far they were open with one another that day and night and all this time since? Was it all put into words, or did both understand that they had the same thing at heart and in their minds, so that there was no need to speak of it aloud, and better not to speak of it. Most likely it was partly like that, from mother's letter it's evident: he struck her as rude a little, and mother in her simplicity took her observations to Dounia. And she was sure to be vexed and 'answered her angrily.' I should think so! Who would not be angered when it was quite clear without any naпve questions and when it was understood that it was useless to discuss it. And why does she write to me, 'love Dounia, Rodya, and she loves you more than herself'? Has she a secret conscience-prick at sacrificing her daughter to her son? 'You are our one comfort, you are everything to us.' Oh, mother!»

His bitterness grew more and more intense, and if he had happened to meet Mr. Luzhin at the moment, he might have murdered him.

“Hm… yes, that's true,” he continued, pursuing the whirling ideas that chased each other in his brain, ”it is true that 'it needs time and care to get to know a man,' but there is no mistake about Mr. Luzhin. The chief thing is he is 'a man of business and seems kind,' that was something, wasn't it, to send the bags and big box for them! A kind man, no doubt after that! But his bride and her mother are to drive in a peasant's cart covered with sacking (I know, I have been driven in it). No matter! It is only ninety versts and then they can 'travel very comfortably, third class,' for a thousand versts! Quite right, too. One must cut one's coat according to one's cloth, but what about you, Mr. Luzhin? She is your bride…. And you must be aware that her mother has to raise money on her pension for the journey. To be sure it's a matter of business, a partnership for mutual benefit, with equal shares and expenses;—food and drink provided, but pay for your tobacco. The business man has got the better of them, too. The luggage will cost less than their fares and very likely go for nothing. How is it that they don't both see all that, or is it that they don't want to see? And they are pleased, pleased! And to think that this is only the first blossoming, and that the real fruits are to come! But what really matters is not the stinginess, is not the meanness, but the tone of the whole thing. For that will be the tone after marriage, it's a foretaste of it. And mother too, why should she be so lavish? What will she have by the time she gets to Petersburg? Three silver roubles or two 'paper ones' as she says…. that old woman… hm. What does she expect to live upon in Petersburg afterwards? She has her reasons already for guessing that she could not live with Dounia after the marriage, even for the first few months. The good man has no doubt let slip something on that subject also, though mother would deny it: 'I shall refuse,' says she. On whom is she reckoning then? Is she counting on what is left of her hundred and twenty roubles of pension when Afanasy Ivanovitch's debt is paid? She knits woollen shawls and embroiders cuffs, ruining her old eyes. And all her shawls don't add more than twenty roubles a year to her hundred and twenty, I know that. So she is building all her hopes all the time on Mr. Luzhin's generosity; 'he will offer it of himself, he will press it on me.' You may wait a long time for that! That's how it always is with these Schilleresque noble hearts; till the last moment every goose is a swan with them, till the last moment, they hope for the best and will see nothing wrong, and although they have an inkling of the other side of the picture, yet they won't face the truth till they are forced to; the very thought of it makes them shiver; they thrust the truth away with both hands, until the man they deck out in false colours puts a fool's cap on them with his own hands. I should like to know whether Mr. Luzhin has any orders of merit; I bet he has the Anna in his buttonhole and that he puts it on when he goes to dine with contractors or merchants. He will be sure to have it for his wedding, too! Enough of him, confound him!

“Well,… mother I don't wonder at, it's like her, God bless her, but how could Dounia? Dounia darling, as though I did not know you! You were nearly twenty when I saw you last: I understood you then. Mother writes that 'Dounia can put up with a great deal.' I know that very well. I knew that two years and a half ago, and for the last two and a half years I have been thinking about it, thinking of just that, that 'Dounia can put up with a great deal.' If she could put up with Mr. Svidrigaпlov and all the rest of it, she certainly can put up with a great deal. And now mother and she have taken it into their heads that she can put up with Mr. Luzhin, who propounds the theory of the superiority of wives raised from destitution and owing everything to their husband's bounty—who propounds it, too, almost at the first interview. Granted that he 'let it slip,' though he is a sensible man, (yet maybe it was not a slip at all, but he meant to make himself clear as soon as possible) but Dounia, Dounia? She understands the man, of course, but she will have to live with the man. Why! she'd live on black bread and water, she would not sell her soul, she would not barter her moral freedom for comfort; she would not barter it for all Schleswig-Holstein, much less Mr. Luzhin's money. No, Dounia was not that sort when I knew her and… she is still the same, of course! Yes, there's no denying, the Svidrigaпlovs are a bitter pill! It's a bitter thing to spend one's life a governess in the provinces for two hundred roubles, but I know she would rather be a nigger on a plantation or a Lett with a German master than degrade her soul, and her moral dignity, by binding herself for ever to a man whom she does not respect and with whom she has nothing in common—for her own advantage. And if Mr. Luzhin had been of unalloyed gold, or one huge diamond, she would never have consented to become his legal concubine. Why is she consenting then? What's the point of it? What's the answer? It's clear enough: for herself, for her comfort, to save her life she would not sell herself, but for someone else she is doing it! For one she loves, for one she adores, she will sell herself! That's what it all amounts to; for her brother, for her mother, she will sell herself! She will sell everything! In such cases, 'we overcome our moral feeling if necessary,' freedom, peace, conscience even, all, all are brought into the market. Let my life go, if only my dear ones may be happy! More than that, we become casuists, we learn to be Jesuitical and for a time maybe we can soothe ourselves, we can persuade ourselves that it is one's duty for a good object. That's just like us, it's as clear as daylight. It's clear that Rodion Romanovitch Raskolnikov is the central figure in the business, and no one else. Oh, yes, she can ensure his happiness, keep him in the university, make him a partner in the office, make his whole future secure; perhaps he may even be a rich man later on, prosperous, respected, and may even end his life a famous man! But my mother? It's all Rodya, precious Rodya, her first born! For such a son who would not sacrifice such a daughter! Oh, loving, over-partial hearts! Why, for his sake we would not shrink even from Sonia's fate. Sonia, Sonia Marmeladov, the eternal victim so long as the world lasts. Have you taken the measure of your sacrifice, both of you? Is it right? Can you bear it? Is it any use? Is there sense in it? And let me tell you, Dounia, Sonia's life is no worse than life with Mr. Luzhin. 'There can be no question of love,' mother writes. And what if there can be no respect either, if on the contrary there is aversion, contempt, repulsion, what then? So you will have to 'keep up your appearance,' too. Is not that so? Do you understand what that smartness means? Do you understand that the Luzhin smartness is just the same thing as Sonia's and may be worse, viler, baser, because in your case, Dounia, it's a bargain for luxuries, after all, but with Sonia it's simply a question of starvation. It has to be paid for, it has to be paid for, Dounia, this smartness. And what if it's more than you can bear afterwards, if you regret it? The bitterness, the misery, the curses, the tears hidden from all the world, for you are not a Marfa Petrovna. And how will your mother feel then? Even now she is uneasy, she is worried, but then, when she sees it all clearly? And I? Yes, indeed, what have you taken me for? I won't have your sacrifice, Dounia, I won't have it, mother! It shall not be, so long as I am alive, it shall not, it shall not! I won't accept it!”

He suddenly paused in his reflection and stood still.

“It shall not be? But what are you going to do to prevent it? You'll forbid it? And what right have you? What can you promise them on your side to give you such a right? Your whole life, your whole future, you will devote to them when you have finished your studies and obtained a post? Yes, we have heard all that before, and that's all words, but now? Now something must be done, now, do you understand that? And what are you doing now? You are living upon them. They borrow on their hundred roubles pension. They borrow from the Svidrigaпlovs. How are you going to save them from Svidrigaпlovs, from Afanasy Ivanovitch Vahrushin, oh, future millionaire Zeus who would arrange their lives for them? In another ten years? In another ten years, mother will be blind with knitting shawls, maybe with weeping too. She will be worn to a shadow with fasting; and my sister? Imagine for a moment what may have become of your sister in ten years? What may happen to her during those ten years? Can you fancy?”

So he tortured himself, fretting himself with such questions, and finding a kind of enjoyment in it. And yet all these questions were not new ones suddenly confronting him, they were old familiar aches. It was long since they had first begun to grip and rend his heart. Long, long ago his present anguish had its first beginnings; it had waxed and gathered strength, it had matured and concentrated, until it had taken the form of a fearful, frenzied and fantastic question, which tortured his heart and mind, clamouring insistently for an answer. Now his mother's letter had burst on him like a thunderclap. It was clear that he must not now suffer passively, worrying himself over unsolved questions, but that he must do something, do it at once, and do it quickly. Anyway he must decide on something, or else…

“Or throw up life altogether!” he cried suddenly, in a frenzy—“accept one's lot humbly as it is, once for all and stifle everything in oneself, giving up all claim to activity, life and love!”

“Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn?” Marmeladov's question came suddenly into his mind, “for every man must have somewhere to turn….”

He gave a sudden start; another thought, that he had had yesterday, slipped back into his mind. But he did not start at the thought recurring to him, for he knew, he had felt beforehand, that it must come back, he was expecting it; besides it was not only yesterday's thought. The difference was that a month ago, yesterday even, the thought was a mere dream: but now… now it appeared not a dream at all, it had taken a new menacing and quite unfamiliar shape, and he suddenly became aware of this himself…. He felt a hammering in his head, and there was a darkness before his eyes.

He looked round hurriedly, he was searching for something. He wanted to sit down and was looking for a seat; he was walking along the K—–Boulevard. There was a seat about a hundred paces in front of him. He walked towards it as fast he could; but on the way he met with a little adventure which absorbed all his attention. Looking for the seat, he had noticed a woman walking some twenty paces in front of him, but at first he took no more notice of her than of other objects that crossed his path. It had happened to him many times going home not to notice the road by which he was going, and he was accustomed to walk like that. But there was at first sight something so strange about the woman in front of him, that gradually his attention was riveted upon her, at first reluctantly and, as it were, resentfully, and then more and more intently. He felt a sudden desire to find out what it was that was so strange about the woman. In the first place, she appeared to be a girl quite young, and she was walking in the great heat bareheaded and with no parasol or gloves, waving her arms about in an absurd way. She had on a dress of some light silky material, but put on strangely awry, not properly hooked up, and torn open at the top of the skirt, close to the waist: a great piece was rent and hanging loose. A little kerchief was flung about her bare throat, but lay slanting on one side. The girl was walking unsteadily, too, stumbling and staggering from side to side. She drew Raskolnikov's whole attention at last. He overtook the girl at the seat, but, on reaching it, she dropped down on it, in the corner; she let her head sink on the back of the seat and closed her eyes, apparently in extreme exhaustion. Looking at her closely, he saw at once that she was completely drunk. It was a strange and shocking sight. He could hardly believe that he was not mistaken. He saw before him the face of a quite young, fair-haired girl—sixteen, perhaps not more than fifteen, years old, pretty little face, but flushed and heavy looking and, as it were, swollen. The girl seemed hardly to know what she was doing; she crossed one leg over the other, lifting it indecorously, and showed every sign of being unconscious that she was in the street.

Raskolnikov did not sit down, but he felt unwilling to leave her, and stood facing her in perplexity. This boulevard was never much frequented; and now, at two o'clock, in the stifling heat, it was quite deserted. And yet on the further side of the boulevard, about fifteen paces away, a gentleman was standing on the edge of the pavement. He, too, would apparently have liked to approach the girl with some object of his own. He, too, had probably seen her in the distance and had followed her, but found Raskolnikov in his way. He looked angrily at him, though he tried to escape his notice, and stood impatiently biding his time, till the unwelcome man in rags should have moved away. His intentions were unmistakable. The gentleman was a plump, thickly-set man, about thirty, fashionably dressed, with a high colour, red lips and moustaches. Raskolnikov felt furious; he had a sudden longing to insult this fat dandy in some way. He left the girl for a moment and walked towards the gentleman.

“Hey! You Svidrigaпlov! What do you want here?” he shouted, clenching his fists and laughing, spluttering with rage.

“What do you mean?” the gentleman asked sternly, scowling in haughty astonishment.

“Get away, that's what I mean.”

“How dare you, you low fellow!”

He raised his cane. Raskolnikov rushed at him with his fists, without reflecting that the stout gentleman was a match for two men like himself. But at that instant someone seized him from behind, and a police constable stood between them.

“That's enough, gentlemen, no fighting, please, in a public place. What do you want? Who are you?” he asked Raskolnikov sternly, noticing his rags.

Raskolnikov looked at him intently. He had a straight-forward, sensible, soldierly face, with grey moustaches and whiskers.

“You are just the man I want,” Raskolnikov cried, catching at his arm. “I am a student, Raskolnikov…. You may as well know that too,” he added, addressing the gentleman, “come along, I have something to show you.”

And taking the policeman by the hand he drew him towards the seat.

“Look here, hopelessly drunk, and she has just come down the boulevard. There is no telling who and what she is, she does not look like a professional. It's more likely she has been given drink and deceived somewhere… for the first time… you understand? and they've put her out into the street like that. Look at the way her dress is torn, and the way it has been put on: she has been dressed by somebody, she has not dressed herself, and dressed by unpractised hands, by a man's hands; that's evident. And now look there: I don't know that dandy with whom I was going to fight, I see him for the first time, but he, too, has seen her on the road, just now, drunk, not knowing what she is doing, and now he is very eager to get hold of her, to get her away somewhere while she is in this state… that's certain, believe me, I am not wrong. I saw him myself watching her and following her, but I prevented him, and he is just waiting for me to go away. Now he has walked away a little, and is standing still, pretending to make a cigarette…. Think how can we keep her out of his hands, and how are we to get her home?”

The policeman saw it all in a flash. The stout gentleman was easy to understand, he turned to consider the girl. The policeman bent over to examine her more closely, and his face worked with genuine compassion.

“Ah, what a pity!” he said, shaking his head—“why, she is quite a child! She has been deceived, you can see that at once. Listen, lady,” he began addressing her, “where do you live?” The girl opened her weary and sleepy-looking eyes, gazed blankly at the speaker and waved her hand.

“Here,” said Raskolnikov feeling in his pocket and finding twenty copecks, “here, call a cab and tell him to drive her to her address. The only thing is to find out her address!”

“Missy, missy!” the policeman began again, taking the money. “I'll fetch you a cab and take you home myself. Where shall I take you, eh? Where do you live?”

“Go away! They won't let me alone,” the girl muttered, and once more waved her hand.

“Ach, ach, how shocking! It's shameful, missy, it's a shame!” He shook his head again, shocked, sympathetic and indignant.

“It's a difficult job,” the policeman said to Raskolnikov, and as he did so, he looked him up and down in a rapid glance. He, too, must have seemed a strange figure to him: dressed in rags and handing him money!

“Did you meet her far from here?” he asked him.

“I tell you she was walking in front of me, staggering, just here, in the boulevard. She only just reached the seat and sank down on it.”

“Ah, the shameful things that are done in the world nowadays, God have mercy on us! An innocent creature like that, drunk already! She has been deceived, that's a sure thing. See how her dress has been torn too…. Ah, the vice one sees nowadays! And as likely as not she belongs to gentlefolk too, poor ones maybe…. There are many like that nowadays. She looks refined, too, as though she were a lady,” and he bent over her once more.

Perhaps he had daughters growing up like that, “looking like ladies and refined” with pretensions to gentility and smartness….

“The chief thing is,” Raskolnikov persisted, “to keep her out of this scoundrel's hands! Why should he outrage her! It's as clear as day what he is after; ah, the brute, he is not moving off!”

Raskolnikov spoke aloud and pointed to him. The gentleman heard him, and seemed about to fly into a rage again, but thought better of it, and confined himself to a contemptuous look. He then walked slowly another ten paces away and again halted.

“Keep her out of his hands we can,” said the constable thoughtfully, “if only she'd tell us where to take her, but as it is…. Missy, hey, missy!” he bent over her once more.

She opened her eyes fully all of a sudden, looked at him intently, as though realising something, got up from the seat and walked away in the direction from which she had come. “Oh shameful wretches, they won't let me alone!” she said, waving her hand again. She walked quickly, though staggering as before. The dandy followed her, but along another avenue, keeping his eye on her.

“Don't be anxious, I won't let him have her,” the policeman said resolutely, and he set off after them.

“Ah, the vice one sees nowadays!” he repeated aloud, sighing.

At that moment something seemed to sting Raskolnikov; in an instant a complete revulsion of feeling came over him.

“Hey, here!” he shouted after the policeman.

The latter turned round.

“Let them be! What is it to do with you? Let her go! Let him amuse himself.” He pointed at the dandy, “What is it to do with you?”

The policeman was bewildered, and stared at him open-eyed. Raskolnikov laughed.

“Well!” ejaculated the policeman, with a gesture of contempt, and he walked after the dandy and the girl, probably taking Raskolnikov for a madman or something even worse.

“He has carried off my twenty copecks,” Raskolnikov murmured angrily when he was left alone. “Well, let him take as much from the other fellow to allow him to have the girl and so let it end. And why did I want to interfere? Is it for me to help? Have I any right to help? Let them devour each other alive—what is to me? How did I dare to give him twenty copecks? Were they mine?”

In spite of those strange words he felt very wretched. He sat down on the deserted seat. His thoughts strayed aimlessly…. He found it hard to fix his mind on anything at that moment. He longed to forget himself altogether, to forget everything, and then to wake up and begin life anew….

“Poor girl!” he said, looking at the empty corner where she had sat—“She will come to herself and weep, and then her mother will find out…. She will give her a beating, a horrible, shameful beating and then maybe, turn her out of doors…. And even if she does not, the Darya Frantsovnas will get wind of it, and the girl will soon be slipping out on the sly here and there. Then there will be the hospital directly (that's always the luck of those girls with respectable mothers, who go wrong on the sly) and then… again the hospital… drink… the taverns… and more hospital, in two or three years—a wreck, and her life over at eighteen or nineteen…. Have not I seen cases like that? And how have they been brought to it? Why, they've all come to it like that. Ugh! But what does it matter? That's as it should be, they tell us. A certain percentage, they tell us, must every year go… that way… to the devil, I suppose, so that the rest may remain chaste, and not be interfered with. A percentage! What splendid words they have; they are so scientific, so consolatory…. Once you've said 'percentage' there's nothing more to worry about. If we had any other word… maybe we might feel more uneasy…. But what if Dounia were one of the percentage! Of another one if not that one?

“But where am I going?” he thought suddenly. “Strange, I came out for something. As soon as I had read the letter I came out…. I was going to Vassilyevsky Ostrov, to Razumihin. That's what it was… now I remember. What for, though? And what put the idea of going to Razumihin into my head just now? That's curious.”

He wondered at himself. Razumihin was one of his old comrades at the university. It was remarkable that Raskolnikov had hardly any friends at the university; he kept aloof from everyone, went to see no one, and did not welcome anyone who came to see him, and indeed everyone soon gave him up. He took no part in the students' gatherings, amusements or conversations. He worked with great intensity without sparing himself, and he was respected for this, but no one liked him. He was very poor, and there was a sort of haughty pride and reserve about him, as though he were keeping something to himself. He seemed to some of his comrades to look down upon them all as children, as though he were superior in development, knowledge and convictions, as though their beliefs and interests were beneath him.

With Razumihin he had got on, or, at least, he was more unreserved and communicative with him. Indeed it was impossible to be on any other terms with Razumihin. He was an exceptionally good-humoured and candid youth, good-natured to the point of simplicity, though both depth and dignity lay concealed under that simplicity. The better of his comrades understood this, and all were fond of him. He was extremely intelligent, though he was certainly rather a simpleton at times. He was of striking appearance—tall, thin, blackhaired and always badly shaved. He was sometimes uproarious and was reputed to be of great physical strength. One night, when out in a festive company, he had with one blow laid a gigantic policeman on his back. There was no limit to his drinking powers, but he could abstain from drink altogether; he sometimes went too far in his pranks; but he could do without pranks altogether. Another thing striking about Razumihin, no failure distressed him, and it seemed as though no unfavourable circumstances could crush him. He could lodge anywhere, and bear the extremes of cold and hunger. He was very poor, and kept himself entirely on what he could earn by work of one sort or another. He knew of no end of resources by which to earn money. He spent one whole winter without lighting his stove, and used to declare that he liked it better, because one slept more soundly in the cold. For the present he, too, had been obliged to give up the university, but it was only for a time, and he was working with all his might to save enough to return to his studies again. Raskolnikov had not been to see him for the last four months, and Razumihin did not even know his address. About two months before, they had met in the street, but Raskolnikov had turned away and even crossed to the other side that he might not be observed. And though Razumihin noticed him, he passed him by, as he did not want to annoy him.

CHAPTER V

“Of course, I've been meaning lately to go to Razumihin's to ask for work, to ask him to get me lessons or something…” Raskolnikov thought, “but what help can he be to me now? Suppose he gets me lessons, suppose he shares his last farthing with me, if he has any farthings, so that I could get some boots and make myself tidy enough to give lessons… hm… Well and what then? What shall I do with the few coppers I earn? That's not what I want now. It's really absurd for me to go to Razumihin….”

The question why he was now going to Razumihin agitated him even more than he was himself aware; he kept uneasily seeking for some sinister significance in this apparently ordinary action.

“Could I have expected to set it all straight and to find a way out by means of Razumihin alone?” he asked himself in perplexity.

He pondered and rubbed his forehead, and, strange to say, after long musing, suddenly, as if it were spontaneously and by chance, a fantastic thought came into his head.

“Hm… to Razumihin's,” he said all at once, calmly, as though he had reached a final determination. “I shall go to Razumihin's of course, but… not now. I shall go to him… on the next day after It, when It will be over and everything will begin afresh….”

And suddenly he realised what he was thinking.

“After It,” he shouted, jumping up from the seat, “but is It really going to happen? Is it possible it really will happen?” He left the seat, and went off almost at a run; he meant to turn back, homewards, but the thought of going home suddenly filled him with intense loathing; in that hole, in that awful little cupboard of his, all this had for a month past been growing up in him; and he walked on at random.

His nervous shudder had passed into a fever that made him feel shivering; in spite of the heat he felt cold. With a kind of effort he began almost unconsciously, from some inner craving, to stare at all the objects before him, as though looking for something to distract his attention; but he did not succeed, and kept dropping every moment into brooding. When with a start he lifted his head again and looked round, he forgot at once what he had just been thinking about and even where he was going. In this way he walked right across Vassilyevsky Ostrov, came out on to the Lesser Neva, crossed the bridge and turned towards the islands. The greenness and freshness were at first restful to his weary eyes after the dust of the town and the huge houses that hemmed him in and weighed upon him. Here there were no taverns, no stifling closeness, no stench. But soon these new pleasant sensations passed into morbid irritability. Sometimes he stood still before a brightly painted summer villa standing among green foliage, he gazed through the fence, he saw in the distance smartly dressed women on the verandahs and balconies, and children running in the gardens. The flowers especially caught his attention; he gazed at them longer than at anything. He was met, too, by luxurious carriages and by men and women on horseback; he watched them with curious eyes and forgot about them before they had vanished from his sight. Once he stood still and counted his money; he found he had thirty copecks. “Twenty to the policeman, three to Nastasya for the letter, so I must have given forty-seven or fifty to the Marmeladovs yesterday,” he thought, reckoning it up for some unknown reason, but he soon forgot with what object he had taken the money out of his pocket. He recalled it on passing an eating-house or tavern, and felt that he was hungry…. Going into the tavern he drank a glass of vodka and ate a pie of some sort. He finished eating it as he walked away. It was a long while since he had taken vodka and it had an effect upon him at once, though he only drank a wineglassful. His legs felt suddenly heavy and a great drowsiness came upon him. He turned homewards, but reaching Petrovsky Ostrov he stopped completely exhausted, turned off the road into the bushes, sank down upon the grass and instantly fell asleep.

In a morbid condition of the brain, dreams often have a singular actuality, vividness, and extraordinary semblance of reality. At times monstrous images are created, but the setting and the whole picture are so truth-like and filled with details so delicate, so unexpectedly, but so artistically consistent, that the dreamer, were he an artist like Pushkin or Turgenev even, could never have invented them in the waking state. Such sick dreams always remain long in the memory and make a powerful impression on the overwrought and deranged nervous system.

Raskolnikov had a fearful dream. He dreamt he was back in his childhood in the little town of his birth. He was a child about seven years old, walking into the country with his father on the evening of a holiday. It was a grey and heavy day, the country was exactly as he remembered it; indeed he recalled it far more vividly in his dream than he had done in memory. The little town stood on a level flat as bare as the hand, not even a willow near it; only in the far distance, a copse lay, a dark blur on the very edge of the horizon. A few paces beyond the last market garden stood a tavern, a big tavern, which had always aroused in him a feeling of aversion, even of fear, when he walked by it with his father. There was always a crowd there, always shouting, laughter and abuse, hideous hoarse singing and often fighting. Drunken and horrible-looking figures were hanging about the tavern. He used to cling close to his father, trembling all over when he met them. Near the tavern the road became a dusty track, the dust of which was always black. It was a winding road, and about a hundred paces further on, it turned to the right to the graveyard. In the middle of the graveyard stood a stone church with a green cupola where he used to go to mass two or three times a year with his father and mother, when a service was held in memory of his grandmother, who had long been dead, and whom he had never seen. On these occasions they used to take on a white dish tied up in a table napkin a special sort of rice pudding with raisins stuck in it in the shape of a cross. He loved that church, the old-fashioned, unadorned ikons and the old priest with the shaking head. Near his grandmother's grave, which was marked by a stone, was the little grave of his younger brother who had died at six months old. He did not remember him at all, but he had been told about his little brother, and whenever he visited the graveyard he used religiously and reverently to cross himself and to bow down and kiss the little grave. And now he dreamt that he was walking with his father past the tavern on the way to the graveyard; he was holding his father's hand and looking with dread at the tavern. A peculiar circumstance attracted his attention: there seemed to be some kind of festivity going on, there were crowds of gaily dressed townspeople, peasant women, their husbands, and riff-raff of all sorts, all singing and all more or less drunk. Near the entrance of the tavern stood a cart, but a strange cart. It was one of those big carts usually drawn by heavy cart-horses and laden with casks of wine or other heavy goods. He always liked looking at those great cart-horses, with their long manes, thick legs, and slow even pace, drawing along a perfect mountain with no appearance of effort, as though it were easier going with a load than without it. But now, strange to say, in the shafts of such a cart he saw a thin little sorrel beast, one of those peasants' nags which he had often seen straining their utmost under a heavy load of wood or hay, especially when the wheels were stuck in the mud or in a rut. And the peasants would beat them so cruelly, sometimes even about the nose and eyes, and he felt so sorry, so sorry for them that he almost cried, and his mother always used to take him away from the window. All of a sudden there was a great uproar of shouting, singing and the balalaпka, and from the tavern a number of big and very drunken peasants came out, wearing red and blue shirts and coats thrown over their shoulders.

“Get in, get in!” shouted one of them, a young thick-necked peasant with a fleshy face red as a carrot. “I'll take you all, get in!”

But at once there was an outbreak of laughter and exclamations in the crowd.

“Take us all with a beast like that!”

“Why, Mikolka, are you crazy to put a nag like that in such a cart?”

“And this mare is twenty if she is a day, mates!”

“Get in, I'll take you all,” Mikolka shouted again, leaping first into the cart, seizing the reins and standing straight up in front. “The bay has gone with Matvey,” he shouted from the cart—“and this brute, mates, is just breaking my heart, I feel as if I could kill her. She's just eating her head off. Get in, I tell you! I'll make her gallop! She'll gallop!” and he picked up the whip, preparing himself with relish to flog the little mare.

“Get in! Come along!” The crowd laughed. “D'you hear, she'll gallop!”

“Gallop indeed! She has not had a gallop in her for the last ten years!”

“She'll jog along!”

“Don't you mind her, mates, bring a whip each of you, get ready!”

“All right! Give it to her!”

They all clambered into Mikolka's cart, laughing and making jokes. Six men got in and there was still room for more. They hauled in a fat, rosy-cheeked woman. She was dressed in red cotton, in a pointed, beaded headdress and thick leather shoes; she was cracking nuts and laughing. The crowd round them was laughing too and indeed, how could they help laughing? That wretched nag was to drag all the cartload of them at a gallop! Two young fellows in the cart were just getting whips ready to help Mikolka. With the cry of “now,” the mare tugged with all her might, but far from galloping, could scarcely move forward; she struggled with her legs, gasping and shrinking from the blows of the three whips which were showered upon her like hail. The laughter in the cart and in the crowd was redoubled, but Mikolka flew into a rage and furiously thrashed the mare, as though he supposed she really could gallop.

“Let me get in, too, mates,” shouted a young man in the crowd whose appetite was aroused.

“Get in, all get in,” cried Mikolka, “she will draw you all. I'll beat her to death!” And he thrashed and thrashed at the mare, beside himself with fury.

“Father, father,” he cried, “father, what are they doing? Father, they are beating the poor horse!”

“Come along, come along!” said his father. “They are drunken and foolish, they are in fun; come away, don't look!” and he tried to draw him away, but he tore himself away from his hand, and, beside himself with horror, ran to the horse. The poor beast was in a bad way. She was gasping, standing still, then tugging again and almost falling.

“Beat her to death,” cried Mikolka, “it's come to that. I'll do for her!”

“What are you about, are you a Christian, you devil?” shouted an old man in the crowd.

“Did anyone ever see the like? A wretched nag like that pulling such a cartload,” said another.

“You'll kill her,” shouted the third.

“Don't meddle! It's my property, I'll do what I choose. Get in, more of you! Get in, all of you! I will have her go at a gallop!…”

All at once laughter broke into a roar and covered everything: the mare, roused by the shower of blows, began feebly kicking. Even the old man could not help smiling. To think of a wretched little beast like that trying to kick!

Two lads in the crowd snatched up whips and ran to the mare to beat her about the ribs. One ran each side.

“Hit her in the face, in the eyes, in the eyes,” cried Mikolka.

“Give us a song, mates,” shouted someone in the cart and everyone in the cart joined in a riotous song, jingling a tambourine and whistling. The woman went on cracking nuts and laughing.

… He ran beside the mare, ran in front of her, saw her being whipped across the eyes, right in the eyes! He was crying, he felt choking, his tears were streaming. One of the men gave him a cut with the whip across the face, he did not feel it. Wringing his hands and screaming, he rushed up to the grey-headed old man with the grey beard, who was shaking his head in disapproval. One woman seized him by the hand and would have taken him away, but he tore himself from her and ran back to the mare. She was almost at the last gasp, but began kicking once more.

“I'll teach you to kick,” Mikolka shouted ferociously. He threw down the whip, bent forward and picked up from the bottom of the cart a long, thick shaft, he took hold of one end with both hands and with an effort brandished it over the mare.

“He'll crush her,” was shouted round him. “He'll kill her!”

“It's my property,” shouted Mikolka and brought the shaft down with a swinging blow. There was a sound of a heavy thud.

“Thrash her, thrash her! Why have you stopped?” shouted voices in the crowd.

And Mikolka swung the shaft a second time and it fell a second time on the spine of the luckless mare. She sank back on her haunches, but lurched forward and tugged forward with all her force, tugged first on one side and then on the other, trying to move the cart. But the six whips were attacking her in all directions, and the shaft was raised again and fell upon her a third time, then a fourth, with heavy measured blows. Mikolka was in a fury that he could not kill her at one blow.

“She's a tough one,” was shouted in the crowd.

“She'll fall in a minute, mates, there will soon be an end of her,” said an admiring spectator in the crowd.

“Fetch an axe to her! Finish her off,” shouted a third.

“I'll show you! Stand off,” Mikolka screamed frantically; he threw down the shaft, stooped down in the cart and picked up an iron crowbar. “Look out,” he shouted, and with all his might he dealt a stunning blow at the poor mare. The blow fell; the mare staggered, sank back, tried to pull, but the bar fell again with a swinging blow on her back and she fell on the ground like a log.

“Finish her off,” shouted Mikolka and he leapt beside himself, out of the cart. Several young men, also flushed with drink, seized anything they could come across—whips, sticks, poles, and ran to the dying mare. Mikolka stood on one side and began dealing random blows with the crowbar. The mare stretched out her head, drew a long breath and died.

“You butchered her,” someone shouted in the crowd.

“Why wouldn't she gallop then?”

“My property!” shouted Mikolka, with bloodshot eyes, brandishing the bar in his hands. He stood as though regretting that he had nothing more to beat.

“No mistake about it, you are not a Christian,” many voices were shouting in the crowd.

But the poor boy, beside himself, made his way, screaming, through the crowd to the sorrel nag, put his arms round her bleeding dead head and kissed it, kissed the eyes and kissed the lips…. Then he jumped up and flew in a frenzy with his little fists out at Mikolka. At that instant his father, who had been running after him, snatched him up and carried him out of the crowd.

“Come along, come! Let us go home,” he said to him.

“Father! Why did they… kill… the poor horse!” he sobbed, but his voice broke and the words came in shrieks from his panting chest.

“They are drunk…. They are brutal… it's not our business!” said his father. He put his arms round his father but he felt choked, choked. He tried to draw a breath, to cry out—and woke up.

He waked up, gasping for breath, his hair soaked with perspiration, and stood up in terror.

“Thank God, that was only a dream,” he said, sitting down under a tree and drawing deep breaths. “But what is it? Is it some fever coming on? Such a hideous dream!”

He felt utterly broken: darkness and confusion were in his soul. He rested his elbows on his knees and leaned his head on his hands.

“Good God!” he cried, “can it be, can it be, that I shall really take an axe, that I shall strike her on the head, split her skull open… that I shall tread in the sticky warm blood, break the lock, steal and tremble; hide, all spattered in the blood… with the axe…. Good God, can it be?”

He was shaking like a leaf as he said this.

“But why am I going on like this?” he continued, sitting up again, as it were in profound amazement. ”I knew that I could never bring myself to it, so what have I been torturing myself for till now? Yesterday, yesterday, when I went to make that… experiment, yesterday I realised completely that I could never bear to do it…. Why am I going over it again, then? Why am I hesitating? As I came down the stairs yesterday, I said myself that it was base, loathsome, vile, vile… the very thought of it made me feel sick and filled me with horror.

“No, I couldn't do it, I couldn't do it! Granted, granted that there is no flaw in all that reasoning, that all that I have concluded this last month is clear as day, true as arithmetic…. My God! Anyway I couldn't bring myself to it! I couldn't do it, I couldn't do it! Why, why then am I still…?”

He rose to his feet, looked round in wonder as though surprised at finding himself in this place, and went towards the bridge. He was pale, his eyes glowed, he was exhausted in every limb, but he seemed suddenly to breathe more easily. He felt he had cast off that fearful burden that had so long been weighing upon him, and all at once there was a sense of relief and peace in his soul. “Lord,” he prayed, “show me my path—I renounce that accursed… dream of mine.”

Crossing the bridge, he gazed quietly and calmly at the Neva, at the glowing red sun setting in the glowing sky. In spite of his weakness he was not conscious of fatigue. It was as though an abscess that had been forming for a month past in his heart had suddenly broken. Freedom, freedom! He was free from that spell, that sorcery, that obsession!

Later on, when he recalled that time and all that happened to him during those days, minute by minute, point by point, he was superstitiously impressed by one circumstance, which, though in itself not very exceptional, always seemed to him afterwards the predestined turning-point of his fate. He could never understand and explain to himself why, when he was tired and worn out, when it would have been more convenient for him to go home by the shortest and most direct way, he had returned by the Hay Market where he had no need to go. It was obviously and quite unnecessarily out of his way, though not much so. It is true that it happened to him dozens of times to return home without noticing what streets he passed through. But why, he was always asking himself, why had such an important, such a decisive and at the same time such an absolutely chance meeting happened in the Hay Market (where he had moreover no reason to go) at the very hour, the very minute of his life when he was just in the very mood and in the very circumstances in which that meeting was able to exert the gravest and most decisive influence on his whole destiny? As though it had been lying in wait for him on purpose!

It was about nine o'clock when he crossed the Hay Market. At the tables and the barrows, at the booths and the shops, all the market people were closing their establishments or clearing away and packing up their wares and, like their customers, were going home. Rag pickers and costermongers of all kinds were crowding round the taverns in the dirty and stinking courtyards of the Hay Market. Raskolnikov particularly liked this place and the neighbouring alleys, when he wandered aimlessly in the streets. Here his rags did not attract contemptuous attention, and one could walk about in any attire without scandalising people. At the corner of an alley a huckster and his wife had two tables set out with tapes, thread, cotton handkerchiefs, etc. They, too, had got up to go home, but were lingering in conversation with a friend, who had just come up to them. This friend was Lizaveta Ivanovna, or, as everyone called her, Lizaveta, the younger sister of the old pawnbroker, Alyona Ivanovna, whom Raskolnikov had visited the previous day to pawn his watch and make his experiment…. He already knew all about Lizaveta and she knew him a little too. She was a single woman of about thirty-five, tall, clumsy, timid, submissive and almost idiotic. She was a complete slave and went in fear and trembling of her sister, who made her work day and night, and even beat her. She was standing with a bundle before the huckster and his wife, listening earnestly and doubtfully. They were talking of something with special warmth. The moment Raskolnikov caught sight of her, he was overcome by a strange sensation as it were of intense astonishment, though there was nothing astonishing about this meeting.

“You could make up your mind for yourself, Lizaveta Ivanovna,” the huckster was saying aloud. “Come round to-morrow about seven. They will be here too.”

“To-morrow?” said Lizaveta slowly and thoughtfully, as though unable to make up her mind.

“Upon my word, what a fright you are in of Alyona Ivanovna,” gabbled the huckster's wife, a lively little woman. “I look at you, you are like some little babe. And she is not your own sister either-nothing but a step-sister and what a hand she keeps over you!”

“But this time don't say a word to Alyona Ivanovna,” her husband interrupted; “that's my advice, but come round to us without asking. It will be worth your while. Later on your sister herself may have a notion.”

“Am I to come?”

“About seven o'clock to-morrow. And they will be here. You will be able to decide for yourself.”

“And we'll have a cup of tea,” added his wife.

“All right, I'll come,” said Lizaveta, still pondering, and she began slowly moving away.

Raskolnikov had just passed and heard no more. He passed softly, unnoticed, trying not to miss a word. His first amazement was followed by a thrill of horror, like a shiver running down his spine. He had learnt, he had suddenly quite unexpectedly learnt, that the next day at seven o'clock Lizaveta, the old woman's sister and only companion, would be away from home and that therefore at seven o'clock precisely the old woman would be left alone.

He was only a few steps from his lodging. He went in like a man condemned to death. He thought of nothing and was incapable of thinking; but he felt suddenly in his whole being that he had no more freedom of thought, no will, and that everything was suddenly and irrevocably decided.

Certainly, if he had to wait whole years for a suitable opportunity, he could not reckon on a more certain step towards the success of the plan than that which had just presented itself. In any case, it would have been difficult to find out beforehand and with certainty, with greater exactness and less risk, and without dangerous inquiries and investigations, that next day at a certain time an old woman, on whose life an attempt was contemplated, would be at home and entirely alone.