Some of the exhibits have bionic arms or legs, others are wearing complex equipment on their bodies and heads. A "motion capture" apparatus on the face, a robotic suit for a disabled person, or a brain-scanner attached to the skull. The Belgian sculptor raises the question of the ethical side of these state-of-the-art devices.

What is meant to save someone’s life could possibly destroy the true essence of a person, blurring the fine line between the human body and its digital body-double.

Could humans turn into machines in the long run?

Judging by Hans Opde Beeck’s exhibition at the Art Banking Club in Moscow – the fear is still there.