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La Celestina, 1904, © Photo: Succession Picasso 2010, ©RMN 24.02.2010, 12:44

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27.06.2009, 15:32 3 comments

Rich and famous show off at “Millionaire Fair”

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French Culture Minister awards Russian cinematographers

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20.06.2009, 17:04 1 comment

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image from thiswayupmovie.com 28.08.2009, 18:09

Get your Shorty

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30.07.2010, 20:46

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26.06.2010, 16:31 1 comment

Winners announced at Moscow Film Fest

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03.10.2009, 18:02

Countdown for The Prodigy’s arrival to Russia

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The father of photojournalism

Published: 20 March, 2010, 23:16
Edited: 22 March, 2010, 20:51

Photo by Henri Cartier-Bresson

Photo by Henri Cartier-Bresson

TAGS: Art, Celebrity, Show, Russia


One of the loudest names in the 20th century’s photography, a French man considered to be the one who actually gave birth to modern photojournalism…

Henri Cartier-Bresson’s works are showcased in Moscow as a part of the Photobiennale. He has become a living legend, and believed in inspiration. Famous for the ability to remain "invisible" to people whom he was shooting, Cartier-Bresson always covered the light-catching metal parts of his camera with black insulating tape so that they did not shine.

The first photographer whose works were displayed in the Louvre, He managed to break lots of stereotypes and prejudices. Contemporaries probably would not even recognize photo-journalism as art without Cartier-Bresson’s captured moments. Some of those he shot in the Soviet Union have already been displayed at previous Photobiennales.

Now the time has come for a serious exhibition of the master’s works. Cartier-Bresson was one of the founders of the Magnum Photos agency and worked with it for over 10 years. Now it pays back together with Cartier-Bresson’s Fund, presenting over 100 photographs selected by the man himself from tons of works he made during the years.


Photo by Henri Cartier-Bresson

He always made a ready photograph while shooting it: he never edited or cropped his works. He is also known for trying to shoot any scene at the moment of the highest emotional pressure, which he named "the turning point."

Cartier-Bresson’s life was interesting enough, as can be seen from the shots he made – in war, captivity, runaways, participation in the resistance movement, shootings in Asia while it was being released from the chains of imperialism.

His Leica was not always with him. But the moments he managed to capture were meant to be etched in the memory of thousands and millions of photography amateurs and professionals worldwide.

The 8th Photobiennale that has officially opened at Moscow’s Manezh Central Exhibition Hall this year is being held under the motto “Vive la France!” As this year was announced to be the year of France in Russia, the walls of the lower floor of the exhibition center are covered with works by Andrey Bezukladnikov, Martine Franck, Elliott Erwitt, Peter Lindbergh and Paolo Roversi. However the retrospective exhibition of Henri Cartier-Bresson is certainly the highlight of this photo-marathon.

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